I was so thrilled to have this deep conversation with Allison Peters over at one my stomping grounds, Michigan Quarterly Review, about my book, The Refusal of Suitors. We talked about the book, the nature of the city, anxiety, lifecourse, and what it means to work and love. She chose wonderful lines and asked astonishing questions. Read the entire interview here. Here’s a quick clip of her introduction:
The lyric ruminations Ryo Yamaguchi offers in his debut book of poetry, The Refusal of Suitors (Noemi Press, 2015), sink deeper than the ink on the page—and they rise up higher than the oxygen masks in the overhead compartment of the plane I was on as I read this impressive first book for the first time.
The Refusal of Suitors is a collection of poems that speaks to the you who’s on a level you’re hardly aware of—to the you who’s under there, somewhere, wondering what it’s all for and how. Ryo’s words unfold like music, his language both sharp and soft, his poems altogether dreamy in their fleeting effervescence, like city lights blinking through city smoke. (“Ode #1” ends: “This is the boulevard smudged with vacancies.”)
Reading Ryo’s poetry, it’s as if trapdoors open to hidden heart-caves between the lines, each poem glowing like an intangible peach. The words summer, flowers,and memory echo throughout the collection, melodically painting “the anxiety of landscape” with a brush of precious promiselessness.
These poems take a chance at impermanent transcendence, and it’s worth it. “What we call the beginning,” Ryo writes in “Post,” “is really just / the first thing we have recorded.” The Refusal of Suitors exists now as its own kind of record, presenting an exciting debut for the poet.
I recently had the opportunity to talk with Ryo about his book. (Editor’s note: you may have already met Ryo via his essays for MQR.) We discussed poetry, philosophy, anxiety, cities, love, and dreams—and about his hopes for the future.