I had a great time writing up this short “Writers Recommend” feature for Poets & Writers magazine! A fine opening, if I might say so:
Above my desk are the famous lines from Wallace Stevens: ‘In the world of words, / Imagination is one of / The forces of nature.’ Kant would be proud. Or maybe it’s a matter of surrender (while I write this the rains are sweeping like the simplest of songs across the West Side of Chicago). And yet all I can suggest as inspiration is this: practice.
Check out the whole piece at Poets & Writers
There is an easy-going quality to the poems in Nina Lindsay’s Because that make this one of the friendliest books this reviewer has read in some time. Lush but clean, emotional but evenly wrought, engaging a diversity of styles over its five sections but with a voice that feels continuous and familiar, these are the sorts of poems one can fall into a deep absorption with. That is not to say that these are intellectually easy—indeed, it is the subtle peculiarities and soft surprises we find throughout that really propel us forward through these pages, and I can’t help but think that this would be an interesting book to teach in advanced courses, precisely because it is so unassuming.
Read the review at NewPages.
When David Foster Wallace died in the fall of 2008, I was halfway through Infinite Jest. It was the Monday after — I walked into a coffee shop in the Loop in Chicago, about 7 AM, and I set my copy of the book down on the counter. The barista grimaced and said, “It’s so sad.” I didn’t know. That’s how I found out.
And I remember finishing the novel then. I remember the sense of urgency, as though it were evaporating there in my very hands, this three pound trade paperback with two bookmarks in it–one for the footnotes.
So when I happened upon Jenni B. Baker’s extraordinary erasure project–Erasing Infinite—memories of that extremely unique and acute reading experience came flooding back. Crafting poems from each page of Infinite Jest–one at a time–this monumental project captures this sense of evaporation with remarkable force, giving us a profoundly new way of approaching the beloved text and, of course, of remembering its author.
But Erasing Infinite is but one of Baker’s many projects, which range from erasures of the Boy Scout Handbook to her OuLiPo chapbook to the journal she runs, The Found Poetry Review, all of which have secured her at the center of one of the most thriving communities of experimental poets. Looking at her work–which so often exquisitely balances play with serious inquiry–we can see just what sorts of possibilities erasure and other found forms have opened up. I recently had the chance to talk with her about these possibilities, about her different projects and the range they have helped lay out, and about how erasure sits in contemporary poetics. . . .
Read the interview and see some of Baker’s pieces at Michigan Quarterly Review.