Diana Hamilton’s Universe is one of the tightest projects I’ve ever read: a chapbook length poem on ethics, broken into two sections (one roughly on property/possession, the other on race) and comprised largely of analytical propositions angularly cut into strikingly short lines. “You and I exist in a civil condition” the speaker asserts. Doesn’t sound very exciting, does it?
Oh, but this poem is exciting, for its sophistication and, especially, for its theatrical sensibility. . . .
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