To undertake a cycle of poems on the life of Helen Keller is to throw oneself at an interesting poetic problem: how to capture the perspective of one who lived in a wholly different perceptual world than most other people. To be sure, there are plenty of fine collections on the experiences of disability—Nick Flynn’s startlingly original Blind Huber comes to mind—but Helen Keller is a singular historical figure who, in our cultural imagination, bears a particular burden as the standout radical subject who, as if through magic, was able to speak from beyond an impassable veil.
It is with an acute sense for Keller’s abilities that Jeanie Thompson works in her book, The Myth of Water. . .
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